Creative Collective 014: Using a Fujifilm X100V as a Disposable Film Camera. Fujifilm X-Pro1: A 10-Year X-Trans Legacy. Fuji’s Instant Film: The Immensely Interesting Story of Instax. Fujifilm X-Trans IV Film Simulation Recipe: Kodak Gold v2. Film Simulation Recipes - Why Pictures Are Too Yellow & How To Fix It. 
Fujifilm X-T3, X-T30 & X-H1 Film Simulation Recipe: Negative Print. Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Scanned Negative. I do think that there’s something special about this recipe. Perhaps this is one of the things that make it appear film-like. It can have a warm cast sometimes and cool cast other times, or even occasionally both a cool and warm cast within the same image. This is true of all the recipes that don’t use auto white balance, but it seems especially so with this particular recipe. How this film simulation recipe looks depends on the light. What I appreciate about this Analog Color film simulation is that it has a film-like quality to it, with a real color negative aesthetic, even if it’s not an exact match to any film that I’m aware of. 
But, it doesn’t exactly resemble any of those films perfectly. It’s in the neighborhood of ColorPlus 200, as well. This recipe reminds me of Fujicolor C200 or Agfa Vista 200, or perhaps even Kodak Gold 200. It was a mistake, but I liked how it looked, so I shot a bunch of pictures with it. I was attempting to make a recipe that mimics the looks of Kodak Portra 400 that’s been overexposed, but I was unsuccessful (at least for now) however, in the process I accidentally created this one.
Sometimes accidents are happy, such as with this film simulation recipe, which I call Analog Color. Pentax – Farmington, UT – Fujifilm X-T30 “Analog Color”
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